Archive for the 'violence' Category


Deathblow #6

Written by Brian Azzarello

Art by Carlos D’Anda and Andy Flint

Wildstorm $2.99


The situation gets more hectic and the intensity grows as Michael Cray, ex-Navy Seal and recently reintroduced to society, goes further underground as the government hunts him down like the half dozen talking dogs he hangs out with.  To be honest, I really like this series, but it can be hard to follow at times.  While reading this issue I kept thinking that I need to re-read the entire series to get a grip on the complicated story.  Cray is rescued from Afghanistan, where he was a prisoner of war, but the government seems to have been trying to kill him ever since he got back, but the reason hasn’t been clear at all.  It now seems that Cray is being set up to take the fall for the murder of an important scientist.

I liked the story, which Azzarello is great at advancing at a moderate pace, and the art is really well-suited for the gritty, sewer dwelling kind of person Mike has becoming since going underground, but my favorite part of this issue was the “terror spreaders” terrorism hotline, which epitomized everything that is retarded and hilariously stupid about America for me.  1-800-fite-4-us  God, that’s great.


Raise the Dead #4 of 4

Written by Leah Moore and John Reppion

Art by Hugo Petrus, Marc Rueda and Ivan Nunes

Cover by Arthur Suydam

Dynamite Entertainment $3.50


Arthur Suydam’s covers have become the types of girls I liked in high school and it’s starting to bother me. On the outside, a wonderful exterior that makes one trust that the contents found within would be equally interesting, intriguing, important and, at the very least, a little friendly towards a nice stranger like myself. But instead you get dumb, dull, mean and boring once you get past the cover. Like a Fallout Boy song, interesting for a second and horrible for three minutes, Raise the Dead has been an arduous chore of a four issue min-series to read. I feel as though I should have received a prize upon finishing the final panel of this pointless comic which had no beginning, certainly no end and really barely had a plot.

A zombie outbreak occurs because of maybe a meteorite or maybe the government or maybe some scientists, it’s never really cleared up. Some people band together to escape, some are jerks and some of the jerks die. And then maybe some people get away. There you go, I saved you fourteen dollars.

I don’t remember actually putting this in my pull list, but at the time issue one came out I was reading some marvel zombies book, walking dead and the second IDW zombies series; Eclipse of the Undead. Dynamite’s hollow, pointless attempt at a zombie book fails hard, not achieving the characters and interesting plots of Kirkman’s zombies, nor the great inside art or human conflict of IDW’s books. It sure as hell wasn’t funny, so it doesn’t compare with Marvel Zombies. Again, Suydam’s covers were the only reason to even think about looking at this book, the writing is terrible, the art isn’t anything spectacular and the concept is old and tired. Go buy Walking Dead.


World War Hulk #3 of 5

Written by Greg Pak

Art by John Romita Jr., Janson, Strain

Marvel Comics $3.99

Well, I hate to side with the nerds, but this issue wasn’t that great. In fact, none of it made much sense. After the Fantastic Four, X-Men, Avengers, Spider-man, Iron man and virtually everyone with a pair tights on the continent fail to stop him, the United States government decides to send in soldiers and shoot the hulk. Incredible.

It did have some redeeming qualities though. The confrontation with Doctor Strange was really good. I liked that he could get into his head, calm him down, but in the end, the Hulk was still so incredibly angry, he broke Strange’s hands. It’s too bad the art was so horrible, it looked horrendous, like a bad cartoon from the 70’s. I wish someone else was drawing this, like the regular Hulk artist, or anyone capable of drawing the Hulk.

Here’s is David Finch’s cover


Really cool.

Here is Romita’s variant cover.

Complete opposite.

Overall, kind of disappointing. I hope this isn’t all coming down to all of issue five being the Sentry and the

hulk fighting. I was hoping it would be considerably more complex than that.


Black Summer #1 of 7

Written by Warren Ellis

Art by Juan Jose Ryp

Avatar Press $2.99


Easily some of the busiest work I’ve seen in a while, his detail has to be respected, it’s great and obviously well thought-out, highly conceptualized, but as sprawling as it can sometimes be, it occasionally feels out of place in this science fiction work. Being an Avatar comic, you get the annoying randomized distribution of several covers, so I couldn’t actually find a scan of the wraparound cover that I have, which is considerably more interesting that the scan above, as well as a good example of his busy style.

That said, I still like the art, I just don’t really know if it is suited for this book. But we’ll see, I anticipate this to be a thoughtful little book, which should wrap up sometime in February with it’s seventh and final issue.


New comics for August 03, 2007

I’m a week and a half behind, so this week I ended up picking up quite the pile. I was glad to see so many great issues in my pile this go around. I was particularly excited about walking dead, which is already reviewed, batman, dark tower and JLA. I’ll be putting up several reviews per day and working my way through my pile over the next several days.

Action Comics #853 – Kurt Busiek(w), Brand Walker, Livesay, Lee Loughridge(a)
Batman #666 – Grant Morrison(w), Andy Kubert, Jesse Delperdang(a)
Black Panther #29 – Reginald Hudlin(w), Francias Portela and Val Staples(a) Arthur Suydam(c)
Black Summer #1 of 7 – Warren Ellis(w), Juan Jose Ryp(a)
Chronicles of Wormwood #6 of 6 – Garth Ennis(w), Jacen Burrows(a)
Countdown #39 & 40 – Paul Dini, McKeever(w), Jim Calafiore and Jay Leigten(a)
Dark Tower: The Gunslinger Born #7 of 7 – Peter David and Robin Furth(w), Jae Lee and Richard Isanove(a)
Deathblow #6 – Brian Azzarello(w), Carlos D’Anda, Henry Flint(a)
Fallen Angel #18 – Peter David(w) and J.K. Woodward(a)
Futurama # 32 – Ian Boothby(w), Mike Kazaleh and Andrew Pepoy(a)
Grimm Fairy Tales #16 – Ralph Tedesco and Joe Tyler(w), Andrew Magnum and Roland Salvidor(a)
Justice Society of America #8 – Geoff Johns(w), Fernando Pasarin and Rodney Ramos(a)
Metal Men #1 of 8 – Duncan Roleau(a & w)
Midnighter #10 – Keith Giffen(w), Chris Sprouse, Karl Story, Randy Mayor(a)
Raise the Dead #4 of 4 – Leah Moore and John Reppion(w), Hugo Petrus, Marc Rueda and Ivan Nunes(a)
Speak of the Devil #1 of 6 – Gilbert Hernandez(Spider-Man Fairy Tales #3 of 4 – C.B. Cebulski(w), Kei Kobayashi, Christina Strain(a)
Star Trek: Klingons Blood Will Tell #4 – Scott and David Tipton(w), David Messina and Elaina Casagrande(a)
Star Trek: Year Four #1 – David Tischman(w), Steve Conley, Leonard O’Grady(a)
Uncanny X-Men #489 – Ed Brubaker(w), Mike Perkins and Andrew Hennessey(a)
Unholy Union #1 – Ron Marz(w), Michael Broussard(a)
Walking Dead #39 – Robert Kirkman(w), Charlie Adlard, Cliff Rathburn(a)
Welcome to Tranquility #9 – Gail Simone(w), Neil Googe(a)
Wetworks #11 – J.M. Dematteis(w), Joel Gomez and Trevor Scott(a)
World War Hulk #3 – Greg Pak(w), John Romita Jr, Janson, Strain(a)
World War Hulk: Ironman #20 – Christos Gage(w), Butch Guice, Dean White and Gerald Parel(a)
World War Hulk: The Incredible Hulk #108 – Greg Pak(w), Leonard Kirk, Scott Hanna and Chris Sotomayor(a)
World War Hulk: The Irredeemable Ant-Man #10 – Robert Kirkman(w), Phil Hester, Ande Parks, Bill Crabtree and Val Staples(a)
X-Men #201 – Mike Cary(w), Humberto Ramos, Carlos Cuevas and Edgar Delgado(a)


The Walking Dead #39

Written by Robert Kirkman

Art by Charlie Adlard and Cliff Rathburn

Image Comics $2.99


Picking up my comics late this afternoon, I rushed home and quickly flew through this issue first. At one point I even peeked at the first page when I was at a stoplight. I’m absolutely STILL in love with this comic 100%. This series is so satisfying, so well written, drawn, inked, plotted, Christ, it’s the perfect serialized story. I hope it never ends and, according to the notes in the letters column in the end of this issue, it’s sales are higher than they’ve ever been at a time when the comics market is busier than it’s been in a while, which means good things for geeks like me.

I think this issue should make the zombie nerds feel more reassured, as there’s an attack while trying to get gas for the generator. There’s also a moderate level of violence. I say moderate because with this series it ebbs and flows, but the bar is set really high as far as freak out crazy violence goes. The issue opens by closing off the conflict that happened at the end of issue 38, facing the people who were probably from Woodbury in the Wal-Mart where Glenn, Maggie, Andrea, Tyrese, Michonne and I swear Axel was with them, but he’s nowhere to be seen in this issue. It’s verified that they’re from Woodbury, one of them recognizes Glenn. And shoots him, unexpectedly. I really didn’t expect that at all, it was random, like most of the other horrible shit that happens in this comic. Just like life. Andrea keeps getting more and more interesting as the series stretches out. She manages to kill half of the hostile men and Michonne dismembers the other two. I like how strong and able the main female characters are in this book, they’re in stark comparison with Lori, who is so incredibly annoying and essentially useless. Glenn, shot, though he was in riot gear, lays on the ground with Maggie quietly mumbling, “no. no. no. no. no.” It’s done incredibly well.  And he turns out to be perhaps okay.

I have really grown to love Adlard and Rathburn’s combined art using black, white and grays in all of their various shades.. The realism of the art style helps to ground the series in reality. Often times I forget that this is a zombie book at all, because there are large chunks of time without zombie attacks, where it’s just a human drama steeped in tragedy. This is my favorite thing about this book, it is about human suffering and companionship, which makes it one of the most realistic comic books I’ve ever had the pleasure of reading, despite it being set in a universe overpopulated with zombies.



In the meantime, useless Lori has her baby and Billy and Dale run into some zombies while looking for gas to help run the generator to keep the lights on during the delivery. Despite the ominous cover, there was no zombie baby, which I thought was going to happen, or something equally horrible, until the last page when a normal baby girl is shown.

Another great issue by Kirkman, Adlard and Rathburn, more development on these great characters, putting them through odds that seem insane and realistic at the same time.


Anita Blake, Vampire Hunter: The First Death #1 of 2

Written by Laurell K. Hamilton and Jonathan Green

Art by Wellinton Alves and Color Dojo

Marvel Comics/Dabel Brothers Productions  $3.99


Apparently the Guilty Pleasures adaptation of the novels have been pretty successful. I even saw that the people at Borders had posted up a comic book rack with the comics in the horror section where Hamilton’s novels are. That made me pretty happy, because there seems to be this hard separation between a large amount of comics and traditional literature readers. Being avid fans of both, I like to see everybody conveign and have a good time with a good story. Hamilton must have been happy with all of the sales, because, to my knowledge, she has no real history writing comic scripts, yet she designated this story, with 100% new material, for a comic book and helped write it herself.

The First Death is a two-parter that promises never before seen story and appears to occur before Guilty Pleasures, as Anita says she’s never been in the all male, all vampire strip club that she spends so much time in in the miniseries. It took me awhile to get into the miniseries, something like five or six issues, but I finally liked it. I think it was the dense amount of narration and long speech bubbles that made it hard to get through. Until this year I’d been mostly reading superhero comics, which have little important dialog, and sitting down with a comic book and spending a half an hour reading it felt strange and entirely out of place. But now I’ve rather enjoyed it. The writers manage to get a huge amount of story into an individual issue by using tactile, relevant dialog only and using the hell out of narrative boxes. It achieves a much more complex and detailed story than one is used to seeing in most comic books, especially one with a Marvel logo on it. Personally, it’s a welcome change.

Though Brett Booth did the cover and was the art supervisor of this issue, he doesn’t actually do the inside art. This was kind of disappointing for me, I’ve become a fan of his pretty quickly. At first I found his art to be kind of weird, disjointed in a way that made perfect sense, but it looked different. His sharp, detailed designs just stood out from the pages of Guilty Pleasures. Then I bought the first volume of Magician’s Apprentice and got to see six more issues of his work, by the end of the second issue, I really liked his stuff. Instead, in this issue Alves uses a softer, more gentile approach to character designs and uses a more generalized, less detailed attention to the little things. This, accompanied by less colors, results in paler characters and dull backgrounds.

The story focuses on a series of child murders, which is proven to be done by vampires. Anita is called in to help the police with their investigation and, as part of finding suspects, she attends Guilty Pleasures, a male vampire strip club, for the first time. This also serves as her introduction to Jean-Claude, the vampire who runs the club, with his victorian style clothes and hyper-sexualized masculinity that makes Anita incredibly uncomfortable. This book isn’t bogged down by the unnecessary inner-dialog of odd, out of place sexual thoughts that Anita has that plagued the Guilty Pleasures series, which makes for a much better read. Along with a generally more focused plot line and a faster pace, The First Death looks to be a pretty good read, better, I should say, than the first mini-series.

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