Batman #667 & 668

Written by Grant Morrison

Art by J.H. Williams III and Dave Stewart

DC Comics $2.99 

Grant Morrison has made a name for himself in mainstream comic books by taking old ideas that many people have forgotten about, revamping them, exploring old characters and concepts and making them very VERY relevant and fresh to the modern reader.  I’ve noticed that there are a few creators who are interested in old ideas who make them incredibly interesting again.  Alex Ross would obviously be an easy name to come up with when talking about old ideas being recreated.  Morrison’s work on Batman is no different, as far as resurrections of the past, than his work with Uncle Sam or Metal Men.  It’s different, great and pretty fucking entertaining.

Revisiting the Batmen of all nations in what would seem like a weekend getaway for Batman, Robin and a handful of “second rate wannabe Batmen” as Robin put it, Morrison turns this three part arc into a murder mystery weekend with a bunch of incompetent heroes who are past their prime and incredibly suspicious of each other.  It’s incredibly entertaining to see all of the various Batmen from different countries and how some of them resent Batman’s success, but they all have to work together, as they’re trapped on an island with a murderer on the loose.

Williams’ work is immediately satisfying and only gets better upon multiple viewings.  He’s particularly successful at rendering costumes that look like cloth, instead of the weird porno-spray painted bodies that usually dominate superhero comics.  He has a firm grasp on shadows and dark/light balances, which is great because most of this story takes place at night in a big mansion full of old relics and costumes.

Meanwhile, boring comic book nerds everywhere are crying because this story doesn’t have any typical villains and its’ not formulaic enough.  I think it’s fantastic and I think I see where this is leading and if Morrison is planning on a big family get together, it’s going to be one hell of a summer-ending arc.  I’ll also be excited if they keep cranking out two issues a month like this, it’s great for a manic reader like myself.

Batman/Lobo: Deadly Serious #1 of 2

Written by, drawn by and cover art by Sam Kieth

DC Comics $5.99 

YES!

Okay, so I was really excited when I saw this in my pile on Wednesday.  First of all, I was obsessed with Kieth’s The Maxx when I was younger.  I stopped reading comic books around the age of 16 when I started to become obsessed with music, but I continued to reread the Maxx series and eventually ended up buying a bootlegged version of the television series from Ebay.  It was well worth it.  I had noticed though, in my previous two years of rediscovering comic books, that Sam Kieth seemed to be missing entirely from the scene, but Jim Lee, the Kuberts, Chris Claremont and most of the people who were making my favorite books in the nineties.

So, again, I was seriously fucking jazzed when I saw this in Previews a few months back.  It comes at a time when I’ve been reading Grant Morrison Batman for almost a year, so I feel like I’m not at a point where Batman is strange territory for me.  Another great writer/artist on a character I’ve come to like quite a bit.  Excellent.

So, Sam Kieth, Batman, Lobo, Spaceships, Alien disease that makes women turn into homicidal maniacs, explosions, lots of guns, aliens.  As long as you aren’t expecting a super serious Batman story, this is made of 100% win.  Batman, against his will, is brought to a spaceship light years from earth to stop a disease that makes women act out and go on insane killing sprees.  All the men have left the ship and so all of these women are being killed.  Kieth’s women are, of course, beautiful and the story is fun as well as morbidly funny.  Of course, Lobo just happens to be there for some reason, trying to make some money.

Although this is only a two issue series, it’s being published in the prestige format, so each issue is 48 pages.  That means this won’t be a short little story, it will be almost 100 pages, easily the size of four or five issues published as a regular comic series.  I think it’s going to be a blast.

Cat Woman #70(and 69 too)

Written by Will Pfeifer

Art by David and Alvaro Lopez

Cover art by Adam Hughes

DC Comics $2.99 

Checking out a new book is incredibly fun for a few reasons that don’t really transfer to an old favorite.  First off, you don’t actually know what you’re getting into.  If you’re familiar with the writer, in this case, Pfeifer is the lead writer of the wonderful DC mini-series that wraps up next week, Amazons Attack, which I’ve been reading.  So I had an idea what I was getting into, strong characterization based around solid action scenes and a script that relies on a well-balanced mix of dialog boxes and scenes that make effective use of an action-based story.  I also knew David Lopez from the first 20 issues of Fallen Angel, back when it was being put out by DC Comics.  I knew his pencils were a good match for a strong writer because they tend to be mild and mellow, instead of screaming for attention, they add to the overall story without really grabbing the reader with the tackiness that some pencilers for superhero books tend to use.  So, I had an idea that this book had the potential to be pretty entertaining.  Plus, this Adam Hughes cover didn’t hurt.

I really love that cover, it’s beautiful and the simple background makes her stand out even more.  That image is from the official DC page about the comic, which is slightly different from the final product that actually appears on the issue I have.  But you get the picture.  I went and looked up Adam Hughes and realized I have a whole bunch of covers by him and I generally really enjoy his work.  And he has a thing for big breasts, in case you didn’t notice.  I really like the shades of light reflecting off of the costume, so you can tell it’s leather and not spandex, the detail of the zipper, the goggles and the fact that there’s actual detail to her face, which makes her look like a real person, not just a thieving sex symbol.

The issue ended up being an Amazons tie-in about Selina’s workings with the Bana, the Amazon offshoot terrorist group.  It was really good.  I found out that she had a kid and had semi-retired from crime, had become friends with Batman and had allied herself on the side of the heroes since the Amazonian war had begun in the states.  The issue relied heavily on dialog boxes and let Selina narrate the story in reverse, which was an interesting change.  I liked it enough to go  out and pick up the issue before, which was also good and featured all of the same talent, down to another Hughes cover.

I think I’ll be reading this on a regular schedule if this book continues to be as entertaining for a few more issues.

Batman #666

Written by Grant Morrison

Andy Kubert and Jesse Delperdang

DC Comics $2.99 

You have to give credit to Grant Morrison for doing what he thinks is good for the story, despite how out there it seems.  I can’t imagine trying to pitch this idea to DC.  15 years from now Bruce Wayne has been murdered, Barbra Gordon is the commissioner of police and wheelchair bound, Damien Wayne has taken up the mask of Batman to avenge his father and rebel against his plotting mother and there are a series of other Batman, one of who is likely to be Dick Grayson, who MAY have killed Bruce Wayne, and the clock is ticking down to armageddon.  And they bought it.

I really liked this, it was a blast to read, it looked great and it has the set up to be an epic story in a not too distant future.  But there’s no clear idea where the story will pick back up.  Next issue starts the Batman of all nations three part story, so I hope this wasn’t a well-thought one shot about the end of days to coincide with the adorable issue number.  It was really good, but I hope Morrison actually does something with this, or else it would be a serious waste of effort and a good idea.  I had hoped that the entire Batman and son storyline was a lot bigger than those four issues.

New comics for August 03, 2007

I’m a week and a half behind, so this week I ended up picking up quite the pile. I was glad to see so many great issues in my pile this go around. I was particularly excited about walking dead, which is already reviewed, batman, dark tower and JLA. I’ll be putting up several reviews per day and working my way through my pile over the next several days.

Action Comics #853 - Kurt Busiek(w), Brand Walker, Livesay, Lee Loughridge(a)
Batman #666 - Grant Morrison(w), Andy Kubert, Jesse Delperdang(a)
Black Panther #29 - Reginald Hudlin(w), Francias Portela and Val Staples(a) Arthur Suydam(c)
Black Summer #1 of 7 - Warren Ellis(w), Juan Jose Ryp(a)
Chronicles of Wormwood #6 of 6 - Garth Ennis(w), Jacen Burrows(a)
Countdown #39 & 40 - Paul Dini, McKeever(w), Jim Calafiore and Jay Leigten(a)
Dark Tower: The Gunslinger Born #7 of 7 - Peter David and Robin Furth(w), Jae Lee and Richard Isanove(a)
Deathblow #6 - Brian Azzarello(w), Carlos D’Anda, Henry Flint(a)
Fallen Angel #18 - Peter David(w) and J.K. Woodward(a)
Futurama # 32 - Ian Boothby(w), Mike Kazaleh and Andrew Pepoy(a)
Grimm Fairy Tales #16 - Ralph Tedesco and Joe Tyler(w), Andrew Magnum and Roland Salvidor(a)
Justice Society of America #8 - Geoff Johns(w), Fernando Pasarin and Rodney Ramos(a)
Metal Men #1 of 8 - Duncan Roleau(a & w)
Midnighter #10 - Keith Giffen(w), Chris Sprouse, Karl Story, Randy Mayor(a)
Raise the Dead #4 of 4 - Leah Moore and John Reppion(w), Hugo Petrus, Marc Rueda and Ivan Nunes(a)
Speak of the Devil #1 of 6 - Gilbert Hernandez(Spider-Man Fairy Tales #3 of 4 - C.B. Cebulski(w), Kei Kobayashi, Christina Strain(a)
Star Trek: Klingons Blood Will Tell #4 - Scott and David Tipton(w), David Messina and Elaina Casagrande(a)
Star Trek: Year Four #1 - David Tischman(w), Steve Conley, Leonard O’Grady(a)
Uncanny X-Men #489 - Ed Brubaker(w), Mike Perkins and Andrew Hennessey(a)
Unholy Union #1 - Ron Marz(w), Michael Broussard(a)
Walking Dead #39 - Robert Kirkman(w), Charlie Adlard, Cliff Rathburn(a)
Welcome to Tranquility #9 - Gail Simone(w), Neil Googe(a)
Wetworks #11 - J.M. Dematteis(w), Joel Gomez and Trevor Scott(a)
World War Hulk #3 - Greg Pak(w), John Romita Jr, Janson, Strain(a)
World War Hulk: Ironman #20 - Christos Gage(w), Butch Guice, Dean White and Gerald Parel(a)
World War Hulk: The Incredible Hulk #108 - Greg Pak(w), Leonard Kirk, Scott Hanna and Chris Sotomayor(a)
World War Hulk: The Irredeemable Ant-Man #10 - Robert Kirkman(w), Phil Hester, Ande Parks, Bill Crabtree and Val Staples(a)
X-Men #201 - Mike Cary(w), Humberto Ramos, Carlos Cuevas and Edgar Delgado(a)

Justice League of America #10

Written by Brad Meltzler

Art by Ed Benes and Sanda Hope

DC Comics $2.99

The Lightning Saga Conclusion

I sort of hated this entire five part collaboration between JSA and JLA. I still haven’t made up my mind about JLA, because I pretty much came in just as The Lightning Saga had started, so I’ve yet to see it outside of a constrictive crossover. This has mostly felt crass and pointless, like it’s a convoluded set up for something that will happen in the middle of next year, some shocker or plot bomb that will drop out of nowhere.

In the end, The Flash comes back, the Barry Allen Flash from Crisis on Infinite Earths has a deja vu experience and the Wally West Flash, along with his family, come out of the lightning bolt that the Legion used, and everyone but Starman goes back to the future, Superman feels betrayed and confused and no answers are really given as to why the Legion traveled back in time to betray one of their friends. At the end, someone appears to be trapped inside the lightning rod that was used on Karate Kid, which is in the Legion’s possession in the 31st century.

Fuck this issue, next month it’s back to business.

Justice #12 of 12

DC Comics - $3.99

Alex Ross and Jim Krueger - Writers

Alex Ross and Doug Braithwaite - Artists

I can honestly say that this was worth two years of following, without a doubt.  The perils of a bi-monthly twelve issue limited series are vast, almost limitless, but it was handled so flawlessly that it was worth waiting two months in between issues.

Going into an Alex Ross series focusing on the Justice League, perhaps the most well known classic superheroes of all time, I knew it was going to look great, but I thought this looked even better than Marvels did.  It’s incredibly beautiful, every single page of it.  Ross’ realistic hand painted panels work beautifully with Doug Braithwaite’s pencils, creating a sense of realism that feels more like fantasy photographs than anything one would consider comic book art.

This was obviously plotted out rather carefully, a team-up of Brainiac and Lex Luthor that turns into a double plot/double crossover while endangering the entire planet and making all of humanity believe that all the super villains on earth have provided them with cures to all of the diseases doctors couldn’t cure, freeing them of all the pains and problems the superheroes could never fully handle.

As I said before, I had high expectations for Alex Ross, which were met fairly early, as far as art and general plotting goes, by the fourth issue.  What really made this series fantastic was Jim Krueger’s excellent scripts though, they absolutely caught me off guard.  His narrations were exceptionally strong and I loved the fact that, during a narration via a character, the background of the text box would be that person’s logo(so if Hal Jordan was narrating, the box would be green with the lantern ring in the background), which made it really easy to know when the narration was switching characters, which it did frequently and flawlessly, without confusion.

Krueger’s portrayal of the Joker as a jealous, pissed off character who is left out of the armageddeon plan was really enjoyable even though he was probably only in a dozen or so panels.  Ross’ paints created the hands down creepiest Joker I’ve ever seen in comics.

In the end, Brainiac betrays Luthor, who has already made plans to betray brainiac, leading to Luthor giving the League information and assistance that leads to them capturing Brainiac.   What was really done in this issue was the illustration of Luthor’s personality - how he really thinks- and how, in his mind, he’s never been the bad guy.  His personality encapsulates all truly dangerous men throughout history, he has a constant unquestioning belief that he knows what’s best for the human race, for the survival of the species, and he believes he is best suited to be their savior.  He’s cunningly brilliant, willfully egotistical and always seems to have a back up plan.  After all, if you can’t have preservation of the species, you might as well try for self-preservation.

There are currently two hard covers collecting the first eight issues, as well as a third hardcover collecting the final four issues on its way, but I’ve been too impatient to wait for the collections.  And what I’m really hoping for is that this series has sold well enough, generated enough critical acclaim and attained enough buzz through the blogs to establish itself a good enough name to get it into an Absolute printing in the coming years.  I know that none of the current absolute books are from any comics newer than a decade, but seeing those amazing Alex Ross panels in super sized thick pages will be worth it.  Until then, I have my twelve issues to continually enjoy.

Justice Society of America #6

DC Comis - $2.99

Geoff Johns - Writer

Dale Eaglesman & Roy Jose - Artists

To be honest, I really only started reading JSA and JLA because I wanted to see Alex Ross’ velvet elvis covers, I love his work and he’s been doing an amazing job on these covers, I always look forward to them showing up in the shop each month.

This is chapter four of the Lighting Bolt Saga, which is a story involving some time displaced, amnesia-stricken teenage superheroes from the future. It’s been pretty interesting, not because this miniseries crossover with JLA has been incredible in it’s execution, but virtually JSA’s entire run has been leading up to this and it has been executed in a way that makes all the revious issues so much more relevant to the greater storyline that has been unfolding for the past year.

Remarkably, I just noticed that, throughout this crossover, there has been a rush to save the planet from some kind of imminent villainous threat that everyone seems to think they can surely stop, but that threat has never actually been revealed. I like the idea that they aren’t actually going to tell you what the real fight is about until the end, when it just might be too late.

The more of these uber-planned crossovers I see from DC, the higher regard I have for them over Marvel, who’s books I spent my entire childhood reading nad noticing the lack of sensible continuity. DC has such an amazing amount of organization and planning in their stories, reading new issues makes me go back and read old issues. Countdown and the Justice series have been like watching new episodes of Lost(which I sadly am not watching right now), where a new scene gives you a key to several old scenes. Upon finishing the new issue, I go back to see what I missed back when I didn’t know what to look for.

And it’s Geoff Johns, you can’t go wrong.